In 1973, a barely-out-of-his-teens Wilmington guitarist piled his gear into the

drummer’s Chevy van to play their very first gig at a University of Delaware dorm.

More than 4 decades, over 8,000 live shows, and some 15 million albums sold

worldwide later, that same maverick guitar-slinger is still making electrifying music,

still thrilling audiences, and still the most bad-to-the-bone performer in rock.

It’s 2015, and George Thorogood & The Destroyers are Badder Than Ever. For George and his longtime band – Jeff Simon (drums, percussion), Bill Blough

(bass guitar), Jim Suhler (rhythm guitar) and Buddy Leach (saxophone) – their new

Badder Than Ever Tour is indestructible proof that staying true to yourself and the

music can still mean something. And with a catalog of classics that includes “Who Do

You Love”, “I Drink Alone”, “One Bourbon, One Scotch, One Beer”, “Move It On

Over”, “Bad To The Bone” and more, being able to share it with audiences is what

will always matter.

“When I was 16, I was going to school and playing Little League but nothing felt

comfortable to me,” George says. “The first moment I picked up the guitar, it felt so

right that it almost scared me. The fact that I couldn’t sing, play or write a song didn’t

matter. I’d learn to do all that soon enough. But by having a knack for this thing and

feeling relaxed doing it, I knew I was halfway home. I love to perform live, and I’m

lucky to be able to do it on a level that our music and reputation have taken us to. To

this day, I consider my job description to be ‘live rock performer’.”

Surprisingly, Thorogood began his career as a solo acoustic act. “I was more of a

Robert Johnson/Elmore James type country-blues player,” he explains. “I wasn’t very

good at it, but I’d gotten enough feedback from artists like Brownie McGhee and

Willie Dixon who thought I had something going. But I knew I needed more.” George

called high-school friend and drummer Jeff Simon, and with the addition of a bass

player – as well as Jeff’s van – the electric trio soon graduated from basement

rehearsals to local gigs. “We knew there was still time for one supercharged boogieblues

combo to make it. We relocated to Boston, and toured New England and the

Delaware Valley non-stop. Crowds loved us. The acts we were opening for, like

Muddy Waters and Howlin’ Wolf, loved us. We were playing great, but still couldn’t

get a record deal. Back then, a band without a record deal was like an actor without a

SAG card. We couldn’t earn more than $200 a night.”

As Big Bill Broonzy said, the blues is a natural fact. If you don’t live it, you don’t have

it. “1974 to 1977 was rough,” George remembers. “Everything seemed stacked

against us. We were always getting ripped off, our gear got stolen, our rent was

doubled and we were evicted from our band house.” By this time, Bill Blough had

joined The Destroyers on bass and the band signed a deal with the Cambridgebased

independent bluegrass label Rounder Records. “But the album sat on the shelf

for 18 months. And the day it was finally released,” George says with a laugh, “was

the day Elvis died.”

Nevertheless, that self-titled and now-classic debut would soon be certified Gold. And

for audiences and radio alike, the band instantly embodied – and continues to define

– powerhouse rock with bar band roots, unchained attitude and a fierce love of its

country, blues and R&B history. Over the course of sixteen studio albums (including

six Gold and two Platinum discs), they would storm the charts by putting their own

stamp on nuggets by Hank Williams, Bo Diddley, Chuck Berry, John Lee Hooker,

Elmore James and more, while simultaneously delivering hit GT originals that crackle

with humor and swagger. “I’ve always balanced one against the other,” George

explains, “and I follow my heart as far as what I can do. You don’t ask Woody Allen to

make a western and you can’t expect Clint Eastwood to do Shakespeare. You find

what you’re good at and stick to it.

Let’s face it; ‘Get A Haircut’ isn’t a song for Carly

Simon. It’s for Thorogood.” As for his signature certified classic “Bad To The Bone”,

George knows the simple truth of his definitive badass anthem. “It’s the ultimate

fantasy of the cool tough guy,” he says. “I wrote ‘Bad To The Bone’ to perform it live

for the rest of my life.”

In fact, ask anyone who’s seen a GT&D performance – from that first show at Lane

Hall, through legendary appearances on SNL and Live Aid, the opening slot on the

Rolling Stones historic ’81 tour, their own record-breaking 50/50 tour, or any of their

current 100+ shows per year – and it’s ferociously clear that the band’s reputation as

worldwide road warriors remains untouchable. “When we play, whether it’s a great

old theater, a shiny new casino, an outdoor festival, wherever, we have fun on stage.

We give the fans a great show.

Most of all, we’re making a living doing what we love

and people love what we're doing.”

Ultimately, the 2015 Badder Than Ever tour is 50% celebration, 50% declaration and

100% Thorogood throwdown. But after 4-plus decades as one of the most consistent

– and consistently unique – careers in rock, can a guitar-slinger still at the top of his

game choose a moment that brings it all home? “Stan Musial was once asked, ‘What

was the greatest day of your career?’ And Stan said ‘Every day when I walk onto the

field is the greatest day.’ I feel the same way,” George says. “Every night when I walk

out on that stage is the highlight of my career. I hit that first chord, the band kicks in,

and we hear the audience respond. That’s the rush. Over 40 years into this, and

every night that's still the only moment that matters.”

For George Thorogood & The Destroyers – and for rock & roll – it doesn’t get badder-to-

the-bone than that.

www.georgethorogood.com